LISA BECK  BIO/CV

Born in New York City in 1958, Lives and works in Brooklyn, New York


Lisa Beck works with a variety of mediums and modes, including painting, sculpture and installation (often in combination), involving inner and outer space, landscape, reflection, and the paradoxical relationship of something and nothing. Much of her work involves the integration of opposites such as matter and void, the cosmic and the earthly, the particular and the universal, the concealed and revealed.

Her work has been exhibited in the US and internationally since the 1980s, including solos at Feature Inc (NYC), Nathalie Karg Gallery (NYC), Diane Rosenstein Gallery (LA), Elizabeth Dee Gallery (NYC), Galerie Samy Abraham (Paris), Xippas (Paris), Circuit (Lausanne). Her work has been included in institutional exhibitions at MoMA PS1, MAMCO Geneva (Musée d’art moderne et contemporain, Geneva, Switzerland), New Britain Museum of American Art (New Britain, CT);  and the Tang Teaching Museum (Saratoga, NY).

Public collections include the Tang Teaching Museum (Saratoga, NY),  Musée des beaux-arts de La Chaux-de-Fonds (Switzerland) and FRAC Pays de la Loire (France)

“Endless,” A survey show of her work was presented in Lyon, France, in 2013. A monograph on her work, “The Middle of Everywhere,” was published in 2015.

Her work has been the subject of reviews in The New York Times, The New Yorker, Art Forum, The Brooklyn Rail, Hyperallergic and many other publications.

Lisa is a recipient of a John Simon Guggenheim Fellowship, a NYFA fellowship and has had residencies at Yaddo and the Marie Walsh Sharpe Space Program. 

EDUCATION

Rhode Island School of Design, Providence, RI; BFA 1980

AWARDS + RESIDENCIES

2024 New York Foundation for the Arts (NYFA) Fellowship – Painting

2021 John Simon Guggenheim Memorial Fellowship

2021 Yaddo Residency

2012 Marie Walsh Sharpe Space Program Studio Residency (now known as Sharpe-Walentas)


ONE PERSON EXHIBITIONS

2023  Balancing Act, Nathalie Karg Gallery, NYC  >link

2022  Space-time, Diane Rosenstein, Los Angeles  >link

2019  Always Now, The Suburban, Milwaukee, WI

          Send and Receive, The Gallery at the St. Kate Hotel, Milwaukee, WI

2018  New Works, May 68, NY

2017  Rising and Falling , Elizabeth Dee, New York >link

         New small works, Galerie Samy Abraham, Paris

2016  The House of Eternity, Galerie Samy Abraham, Paris 

2015  The Middle of Everywhere, Circuit, Lausanne, Switzerland  >link

2014  Observatory, Galerie Samy Abraham, Paris

          You Are Here, 33 Orchard, New York >link

2012  Endless, off site project of La Salle de Bains at Fort du Bruissin, Lyon, France >link

         Looking Through, Galerie Francis Ruyter, Vienna
         To Here Knows When, Feature, New York > link

2011  Between Days, Feature Inc., New York > link

2009  To Everything, Feature Inc., New York > link

2006  superpositioning, Feature Inc., New York > link

2002  Feature Inc., New York

1997   Feature Inc., New York

1993   Never Say Never to Always, Stephanie Theodore Gallery, New York

1992   To Here Knows When, Feature, New York

1985   White Room, White Columns, New York


SELECTED GROUP EXHIBITIONS

2025

XXS, Brintz + County, Palm Beach, FL., curated by Wendy White

Spectrum, Kristen Lorello Gallery, NYC

PINK, m.simons, Amsterdam, NL

Prickly Abstraction, Affective Care, NYC, curated by Lizzie Scott


2024  

Américanologies, Galerie Herve Bize, Nancy, France

The Golden Thread, curated by Bravin Lee Projects, NYC

Twelve: Anniversary Exhibition, Diane Rosenstein Gallery, Los Angeles

All Tomorrow’s Parties, M. David Gallery, Brooklyn


2023

The Feminine in Abstract Painting, Milton Resnick and Pat Passlof Foundation, NYC, curated by Andrea Belag + Jen Samet

Mirror Milk, Satchel Projects, NYC

I am the Passenger Part II, Mother Gallery, Beacon, NY

Slick & Rough, Galerie Xippas, Paris

Horizon Line, Joyce Goldstein Gallery, Chatham, NY, curated by Susan Jennings + David Humphrey


2022

Humor Has It, Olympia, NYC

Cosmic Geometries, Elizabeth Foundation, NYC. Curated by Hilma’s Ghost Collective

How Far Is Inbetween, Keijsers Konig, Dallas, TX

Parallax: Framing the Cosmos, Tang Teaching Museum, Skidmore College, Saratoga, NY

Painting As Is II, Nathalie Karg Gallery, NYC

Lisa Beck & Andrea Belag, Kristen Lorello, NY


2021

The Phoenix and the Mountain – In-centric Abstraction in the ‘80s, curated by Choghakate Kazarian, Zurcher Gallery, NYC


2020

Spring Forward, Arcade Project (online exhibition), curated by Ruben San Miguel-Natal

Unknown Unknowns, Theodore Art, Brooklyn, NY

The Pursuit of Aesthetics, Morgan Lehman (online exhibition) curated by Andrea Belag

Energy in All Directions, Tang Teaching Museum, Saratoga Springs, NY 


2019

Notebook, 56 Henry, NYC- curated by Joanne Greenbaum
30 Years of Dutch Courage, Cokkie Snoei Gallery, Rotterdam
Social photography VII, carriage trade, New York
Masterpieces, Galerie Thomas Bernard, Paris
Masterpieces II, Galerie Thomas Bernard, Paris
PS 1999 – 2019, PS projectspace, Amsterdam
Open Field, Building 92, Brooklyn Navy Yard, Brooklyn, NY


2018

Beyond Black and White, Westbeth Gallery, NY
For Your Infotainment, special presentation at Frieze New York, honoring Hudson of Feature Inc.
Le Bon Coût, Galerie Samy Abraham, Paris
Social photography VI, carriage trade, New York
Lisa Beck + Ranier Lericolais, Galerie Thomas Bernard, Paris
Polarities, TOTAH, New York
Strange Attractors, Kerry Schuss Gallery, NY, organized by Bob Nickas


2017

Abandoned Luncheonette, Jeff Bailey Gallery, Hudson, New York >link
EDGE: Lisa Beck, Eric Brown, Rachel Hellmann, Mary Judge, Marilyn Lerner, Douglas Melini, Ann Pibal, Kate Shepherd, Cary Smith, Li Trincere, Jan van der Ploeg, Philip Slein Gallery St. Louis, MO
Thought Forms, Lisa Beck, Lydia Dona, Joan Waltemath, C. Grimaldis Gallery, Baltimore, MD >link
Color Block, Triple V, Paris >link
Playground, Galerie Emmanuel Hervé, Paris
Vagary of Abstraction, LMAK Gallery, New York
Doomtown, Portland Institute of Contemporary Art, Portland, OR
Beyond Black and White, Westbeth, NY, curated by Henry Brown and Li Trincere


2016

GEOMETRIX: Line, Form, Subversion, Organized by Andrea Pollan and Curator's Office, Washington DC >link
Strange Abstraction, Fredericks and Freiser, NY >link
ALL OVER, curated by Samuel Gross, GALERIE DES GALERIES , Galeries Lafayette, Paris >link
GVA< > JFK, MAMCO (Musee d'Art Moderen et Contemporain), Geneva, curated by Lionel Bovier https://www.mamco.ch/en/1533/GVA-JFK
that old school dystopia, Theodore:art, Brooklyn, curated by Stephanie Theodore and Wendy Cooper >link
Non Figuratif : un regain d’intérêt ? Centre d'art contemporain Meymac, France >link
First Exhibition, Elizabeth Dee Gallery, New York >link
Kevin Larmon/ Lisa Beck, CB1 Los Angeles

2015

The Painter of Modern Life, Anton Kern Gallery, New York, curated by Bob Nickas >link
Fertility, 33 Orchard, New York >link
Iterations, Theodore:Art, Bushwick >link
Improvised Showboat, 55 Washington St, Brooklyn
Choices Paris, with Galerie Samy Abraham, curated by Alfred Pacquement, Paris >link
Unexpected Pieces, Galerie Samy Abraham, Paris
Deep End, The Wassaic Project, Wassaic, NY
30/130 Thirty Years of Books and Catalogs, etc. Bob Nickas at White Columns, White Columns, New York >link
Thirty Shades of White, Praz-Delavallade, Paris


2014

Real Estate, Ventana 244, Brooklyn, NY
No Ground But Say Ground, Halsey McKay Gallery, East Hampton, NY >link
The Last Brucennial, 837 Washington St, New York
Inhabiting Ten Eyck, Storefront Ten Eyck, Bushwick Brooklyn, curated by Karin Bravin >link
Das Optische Unbewusste / The Optical Unconscious, Kunst(zeug)haus, Rapperswil, Switzerland
curated by Fred Fischli and Niels Olsen, in collaboration with Bob Nickas >link
This One's Optimistic: Pincushion, New Britain Museum of American Art, New Britain, CT , curated by Cary Smith
Another, Once Again, Many Times, More, Martos Gallery, East Marion, NY >link
Let's Go Let Go - In Memoriam Hudson, 33 Orchard, New York
Raving Disco Dolly on a Rock 'n' Roll Trolley, envoy enterprises, NY >link
Dark Map, Lesley Heller Workspace, New York
The Egg, LABspace, Great Barrington, MA

2013
X-tra, Lesley Heller Workspace, NY > link
Diamonds, Diamonds, Gallery Diet, Miami, curated by Daniel Feinberg >link
Swing State, Jane Kim Gallery, NY > link
The Shining Path, Galerie Samy Abraham, Paris >link
LAT. 41° 7' N., LONG. 72° 19' W, Martos Gallery, East Marion, New York > link


2012

THING, group exhibition curated by Susan Jennings, West Cornwall, CT
Creature from the Blue Lagoon, Martos Gallery, Bridgehampton, NY > link
Exposition d'artistes né(e)s entre le 22 juin et le 22 juillet, Galerie de Multiples, Paris > link
Tell the Children, La Salle des Bains, Lyon, France > link


2011

bodybraingame, Rhona Hoffman Gallery, Chicago, curated by Hudson
The 2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton, NY; organized by Bob Nickas > link
We Regret To Inform You There Is Currently No Space or Place for Abstract Painting, Martos Gallery, New York
Lisa Beck / Philippe Richard, Theodore: Art, New York


2010

Pull My Daisy, Galerie Francis Ruyter, Vienna > link
Black Is the Color of My True Love’s Hair, NP Contemporary Art Center, New York
Daniel Hesidence Curates, Tracy Williams, Ltd., New York > link
Lisa Beck / Olivier Mosset, Bell Street Project Space, Vienna
Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles
Skulture, Feature Inc., New York
Townie, Foley Gallery, New York, curated by Carl d'Alvia
Portrait de l’artiste en motocycliste, Le Musee des Beaux Artes, Chaux les Fonds, Switzerland


2009

Portrait de l’artiste en motocycliste, Le Magasin, Grenoble
Cave Painting: Installment #1, Gresham’s Ghost (third location), New York; organized by Bob Nickas
Populate This Form, Feature Inc., New York
Group exhibition, Martos Gallery, New York; curated by Bob Nickas


2008

Shit, Feature Inc., New York


2007

Painting as Fact – Fact as Fiction, de Pury & Luxembourg, Zurich; curated by Bob Nickas


2006

Never Mind the Bollocks, Here’s Amanda Lear, Envoy, New York
An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York; organized by Robert Nickas
The O Show, Kresge Foundation Gallery, Ramapo College, Mahwah, NJ; curated by MatCH-Art



2005

The O Show, Shore Institute of the Contemporary Arts, Long Branch, NJ; curated by MatCH-Art
Seriality, Axel Raben Gallery, New York; curated by Stephanie Theodore and MatCH-Art
The sun rises in the evening., Feature Inc., New York


2004

Galerie Francesca Pia, Bern, Switzerland
Itsy Bitsy Spider, Feature Inc., New York
Curious Crystals of Unusual Purity, P.S. 1, Long Island City, New York; curated by Bob Nickas and Steve Lafreniere


2003

Fast Forward: 20 Years of White Rooms, White Columns, New York (catalogue)curated by Lauren Ross
Small-Scale Sculpture and Anonymous Tantra Paintings, Feature Inc., New York


2002

Guide to Trust 2, Yerba Buena Center for the Arts, San Francisco; curated by ANP (catalogue)
Lisa Beck and Marisa Telleria-Diez, Rico, Brooklyn, NY


2001

Not a. Lear, Allston Skirt Gallery, Allston, MA; Gracie Mansion Gallery, New York; curated by ANP
Timewave Zero / The Politics of Ecstasy, Grazer Kunstverein, Graz, Austria; curated by Lionel Bovier and Jean-Michel Wicker
Liste: The Young Art Fair, Basel, Switzerland (Galerie Pia)
Natural Wonders, Galerie Francesca Pia, Bern, Switzerland
Another, once again, many times more, Feature Inc., New York
Een goed in de weg staande tafel, Galerie van Gelder, Amsterdam; curated by Jack Jaeger


2000

Not a. Lear, Art Process, Paris; Galerie S. & H. De Buck, Ghent, Belgium; Torch Gallery, Amsterdam; curated by ANP

Hairy Forearm’s Self-Referral, Feature Inc., New York;
Hex Enduction Hour by The Fall, Team Gallery, New York; organized by Robert Nickas
ANP: City Projects, Galerie S. & H. De Buck, Ghent, Belgium
The End, Exit Art, New York
Liste: The Young Art Fair, Basel, Switzerland (Galerie Pia)
Bubbles, Center for Contemporary Non-Objective Art (CCNOA), Brussels; curated by Edith Doove
3ness, Musuem Dhondt-Dhaenens, Duerle, Belgium; curated by ANP, Dike Blair, and Edith Doove (catalogue)
Sex in the Country, Forde l’Usine, Geneva
Open the pod bay doors, Hal, Feature Inc., New York


1999

Cookie Snow Feature, Cokkie Snoei, Rotterdam
curious.parking@stupendous.strawberry, Galerie S. & H. De Buck, Ghent, Belgium
BmW, ANP, Antwerp, Belgium
Up Your Head, Feature Inc., New York


1998

Yoyogaga, Feature Inc., New York
Lisa Beck, Jason Fox, Bill Komoski, M du B, F, H & g, Montreal
Utz, Lennon, Weinberg Inc., New York; curated by Stephanie Theodore
Paintings (Lisa Beck, Bill Komoski, David Moreno, John Torreano), Feature Inc., New York


1997

La Tradicion: Performing Painting, Exit Art, New York
Material Girls, Gallery 128, New York; curated by Harmony Hammond


1996

Lisa Beck/Lucky De Bellevue, Feature Inc., New York
Ab Fab, Feature Inc., New York


1994

Friends, Romans, Countrymen, Feature Inc., New York
Joe’s Garage, TZ’Art & Co., New York; curated by Stephanie Theodore


1992

Lisa Beck and Peter Dudek, Stephanie Theodore Gallery, New York


1991

Stussy, Feature, New York


1990

Information, Terrain, San Francisco
February 3–27, Daniel Newburg Gallery, New York
Red, Galerie Christine & Isy Brachot, Brussels; curated by Robert Nickas (catalogue)
Invitational Drawing Show, Althea Viafora Gallery, New York
Godhead, Feature, New York


1989

Positive Show, Jack Tilton Gallery, New York
Romancing the Stone, Feature, New York
American Fine Arts, New York


1987

The Four Corners of Abstraction, White Columns, New York


1986

Credible/Incredible, Four Walls Gallery, Hoboken, NJ; curated by Lawrence Rinder
Stavaridis Gallery, Boston


1985

Image/Abstract, Roughhouse, New York; curated by David Row and John Ford
White Room, White Columns, New York


1983

July Group, Nature Morte Gallery, New York



COLLECTIONS

Tang Museum of Skidmore College; Maramotti Collection, Italy; FRAC pays de la Loire, France; Museé des Beaux-Arts La Chaux-de-Fonds, Switzerland; JP Morgan Chase; Nestlé; Progressive and many private collections.


SPECIAL PROJECTS

2021

VINCETIME, Design to be pressed on a Swiss 20 centime coin, by a hand cranked coin impression machine, located in the city of Gland, Switzerland, curated by artist Vincent Kohler 


2016

Other Imaginings, 5 Year Plan, artists’ book, hand printed in India on hand woven cloth, edition of 100 > link


SELECTED BIBLIOGRAPHY

2023

Feim, Alex. Lisa Beck: A Navigation of Opposites,” Art Press, (France) April 2023

Naves, Mario. “Yes, They Went There: The Feminine in Abstract Painting,” The New York Sun, March 27, 2023


2022

“Los Angeles Must See: Space-time at Diane Rosenstein Gallery,” Art Forum, November 11, 2022

Steinhauer, Jillian. “Cosmic Geometries,” New York Times, February 2, 2022

Schwendener, Martha. “Painting As Is II,” New York Times, August 5, 2022


2020

Abbott, John Phillip. “Artists Quarantine with Their Art Collections,” Hyperallergic June 6, 2020 https://hyperallergic.com/568401/artists-quarantine-with-their-art-collections-3/


Corwin, William. "The Pursuit of Arsthetics:Artwork Created During Quarantine," The Brooklyn Rail, June-July 2020.  https://brooklynrail.org/2020/07/artseen/The-Pursuit-of-Aesthetics-Artwork-Created-During-Quarantine


2019

McAdams, Shane. “Lisa Beck’s Complex Geometries at the St. Kate,” Shepherd Express, Milwaukee, WI https://shepherdexpress.com/arts-and-entertainment/visual-art/lisa-beck-s-complex-geometries-at-st-kate/

“MAY 68 Books & Records,” documentation of the one-year project organized by Bob Nickas, pub. At Last Books


2018

GVA< >JFK, MAMCO Journal , edition No1, p 28
Clarke, Mary. "A Radical Book and Music Store Takes Over a Chinatown Gallery", GARAGE >link

Scott, Andrea. "Strange Attractors," The New Yorker, October 19


2017

"One Question, One Answer: Lisa Beck", Romanov Grave >link
Butler, Sharon. "Lisa Beck: So-called opposites", Two Coats of Paint >link
Saltz, Jerry. "The 10 Best Art Achievements of 2017" >link
"Lisa Beck: Rising and Falling", Time Out New York >link
Elizabeth Dee Exhibits Lisa Beck's New Paintings. artdaily.org, >link


2016

Saltz, Jerry. Critic's Pick, that old school dystopia, July 4, nymag.com >link
The House of Eternity, Artforum, Must-See Paris
Butler, Sharon. “What’s so strange at Fredericks & Freiser’s “Strange Abstraction”?”, twocoatsofpaint.com


2015

Soyez-Petithomme, Caroline, ed.The Middle of Everywhere, essays by Samuel Gross, Bob Nickas, Caroline Soyez-Petithomme,
La Salle de Bains, Galerie Samy Abraham >link
Lescaze, Zoë. Critic's Pick: The Painter of Modern Life, Artforum >link
Chang, Chris. “Five Points with Bob Nickas”, Art in America >link
"5 Must See Gallery Shows in New York", Art Info >link
Halle, Howard. "The Painter of Modern Life", TIme Out New York, April 1 >link


2014

Goleas, Janet. ART REVIEW: “Another, Once Again, Many Times More” on the North Fork,
Hamptons Art Hub, posted 9 August, 2014 >link
Hollingsworth, Dennis. "This One's Opptimistic: Pincushion." http://www.dennishollingsworth.us >link
Lequeux, Emmanuelle. "Observatory," Le Monde, 26 January >pdf


2013

Saltz, Jerry. “MoMA’s Inventing Abstraction Is Illuminating—Although It Shines That Light Mighty Selectively,"
New York Magazine, January 14, vulture.com, 6 January >link
Morais, Pedro. “Accidents Geometriques,” Les Inrockuptibles, 30 January
Pernet, Hugo. " Lisa Beck Endless," Zero Quatre, spring 2013
Depuis 1999, Premier catalogue rétrospectif de La Salle de bains
Nickas, Bob. Annual Magazine, issue n°6 >link
Crest, Russ ".Lisa Beck's Rorshach Installations", Beautiful Decay>link


2012

yes, no, something, nothing, never, always, Feature Inc, New York- catalog of selected works by Lisa Beck 1985-2010,
interviews with Hudson and Bob NIckas >link
Kazakina, Katya. “Art in the Hamptons,” Bloomberg.com, 1 August >link
Miller, Michael H. “Bob Nickas Curates Summer Show in Bridgehampton One Last Time,” GalleristNY.com, 22 May >link
Fessler, Anne Katrin. Review of "Looking Through", Der Standard, 20 June >link


2011

Nickas, Bob. Catalog of the Exhibition, 2nd Cannons Publications, Los Angeles (reproduction)
Indrisek, Scott. “The Pleasures of the Prosaic at the Bridgehampton Biennial,” Modern Painters, posted 15 August > link
Rosenberg, Karen. "All Nooks, Crannies, Bedrooms and Trees are Backdrops for Art," New York TImes,
8 August C5 (reproductions) > link
Miller, Michael H. “Learning from Bridgehampton,” New York Observer, 12 July > link
Miller, Michael H. “So Long, Chelsea! Bob Nickas to Liven Up the Art World this Summer with Bridgehampton
Biennial,” New York Observer, 1 July > link
Johnson, Ken. Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art, Prestel Publishing, New York


2010

Review of “Skulture,” Goings On About Town, New Yorker, 25 January, 12
Rubin, David S., ed. Psychedelic: Optical and Visionary Art Since the 1960s, with essays by David S. Rubin,
Robert C. Morgan and Daniel Pinchbeck, San Antonio Museum of Art in association with MIT Press, Cambridge, MA, 33, 109


2009

Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting, Phaidon Press, New York
Smith, Roberta. Review of “To Everything,” New York Times, 19 June, C29 > link


2008

Interview on myartspace.com > link > pdf


2006

Sheets, Hilarie. “Where Magic Mushrooms Bloom,” Artnews, February, 120–1


2004

Smith, Roberta. Review of “Curious Crystals of Unusual Purity,” New York Times, 16 July, E28 > link
Wilson, Michael. “Curious Crystals of Unusual Purity,” Artforum, November, 22 >link >link


2003

Johnson, Ken. “Alumni Return, Juxtaposing Past and Present,” New York Times, 28 November > link
Wolfe, Charles T. “The Plasticity of Perception,” Flash Art, July–September, 63–64 (reproduction)


2002

Huck, Brigitte. “Timewave Zero/ The Politics of Ecstasy," Artforum, March >link
Farquharson, Alex. “Timewave Zero/ The Politics of Ecstasy,” Frieze, March, 87 (reproduction) > link
Olson, Marisa S. “Guide to Trust No. 2 at the Yerba Buena Center for the Arts,” Artweek, May
Perret, Mai-thu, “Lisa Beck and John Tremblay ,” Frieze, January/February, 104 (reproduction) > link
Guide to Trust No. 2, exhibition catalogue, Yerba Buena Center for the Arts, San Francisco (reproduction)


2001

Cotter, Holland. “Another, Once Again, Many Times More,” New York Times, Listings,11 May, E38
Ivy, Angus. Review of “3ness,” Zingmagazine 14 (Winter), 210–11


2000

Andrews, Max and Dawn Fulcher. Preview of “Bubbles,” Contemporary Visual Arts, July/August, 82 (reproduction)
Dams, Jimi. “Lisa Beck,” Purple 5 (Summer), 272–3 (reproduction)
Goings On About Town, New Yorker, 11 January
Critics’ Picks, “Open the pod bay doors, Hal,” Time Out NewYork, 28 December, 65
Liste 2000, The Young Art Fair, catalogue, Basel, Switzerland (reproduction)


1999

Braet, Jan. “Koel Amerikaans,” Knack, 17 March, 77 (reproduction)
Doove, Edith. “Verrasimgen uit Amerika,” De Standaard, 3 February, 2
Jones, Jonathan R. Review of “Up Your Head,” Contemporary Visual Arts, November/December, 67 (reproduction)
Lambrecht, Luc. “Americaans en Toch Niet,” De Morgen, 12 February, 14
Popelier, Bert. “Jonge Amerikanen,” De Financieel Economische Tijd, 3 February, 12
“Mob Rules” (Review of “Up Your Head”), NY Arts, December
“ANP: This Flight is Tonight,” Zingmagazine 10 (Autumn), 170–1 (reproduction)


1998

Cotter, Holland. Review of “Yoyogaga,” New York Times, 20 November, E43
Smith, Roberta, Review of “Utz,” New York Times, 22 February > link
Recommended, Time Out New York, 12 April, 12


1997

Cotter, Holland. Review of “Material Girls,” New York Times, 31 October > link
Levin, Kim. “Work in Progress – Art and Exhibitionism in Soho,” Village Voice, 22 April
Rubinstein, Raphael. “On Broadway: Studios Without Walls,” Art in America, June


1996

Levin, Kim. Village Voice, Choices, 6 March
Moody, Tom. Review of “Ab Fab,” Art Papers, November/December
Short List, New Yorker, 11 March


1994

Hess, Elizabeth. “Garage Sale,” Village Voice, 20 December
Levin, Kim. “Garage Sale,” Village Voice, Choices, 20 December
Nickas, Robert. “Split Screen,” BOMB , Summer (reproduction)


1992

Cotter, Holland. “Lisa Beck and Peter Dudek,” New York Times, 19 June
Schwartzman, Alan. Review of “Lisa Beck and Peter Dudeck,” New Yorker, 15 June


1990

Red, exhibition catalogue with texts by Robert Nickas and Xavier Douroux, Galerie Christine & Isy Brachot,
Brussels (reproduction)


1989

Brenson, Michael. Review of “Positive Show,” New York Times, 24 February
Smith, Roberta. Review of American Fine Arts group exhibition, New York Times